Let's make love to the music
Welcome to the
Intuitiva Sound Laboratory
For over 20 years I have been playing, teaching and helping people find their own path to music. Its great power is to heal hearts and relationships, unleash creativity, and make the world a better place. Former students of the classical music school and those who have never held an instrument in their hands, future accompanists and composers who sound for the soul and for the stage - with each of us we are looking for a special entrance into this world, so that the happiness of free sound becomes your daily joy.
Founder of the school Sergei Dolgov
Let this journey into the wonderful world of sound become a real adventure for you, filled with mysteries and happy discoveries, unexpected encounters with frightening and beautiful images.

But most importantly, meetings with oneself - renewed, unfamiliar, alive, capable of hearing and creating music.
"Intuitiva" is...

... part of Forresto Umbro Project. It is free phonetic interpretation of the name of the national reserve Foresta Umbra in Italy on the Gargano Peninsula, where I lived for some time. The space of Umbria is also called the “orchestra-forest”, because it not only resembles a fairy-tale place from elven legends, but also has a special sound. In the magical-but-completely-real forest of Umbro live huge beeches covered with giant vines, glacial stones covered with mosses lie, wild boars rush and roe deer run, wild animals accompany you during your walks, and in the most often you can unexpectedly meet a friend who must be thousands of kilometers away. This forest, filled with mysterious sounds, inspired me to create the Lab.

JOURNEY TO YOURSELF
TOGETHER
NEW FRIEND
HAND-BUTTERFLIES
YOUR SONG
Helping your hands play your favorite songs on strings and keys easily
We are looking for contact with our instrument. We're looking for a new friend. We create new tools. Bringing love back after music school trauma
We play in pairs or ensemble. We achieve synchronous sound. Learning solo and accompaniment.
Therapeutic sessions where your instrument will become a guide to states of deep contact with yourself
We create our own compositions. Rewriting states. We heal the heart. Sound free

Направления

Journey to yourself
Therapeutic sessions where your instrument will become a guide to states of deep contact with yourself
Somatic
Learning to relax your body while playing, achieving a fuller sound and enjoyment
Together
We play in pairs or ensemble. We achieve synchronous sound. Learning solo and accompaniment.
New old friend
We are looking for contact with our instrument. We're looking for a new friend. We create new tools. Bringing love back after music school trauma
Hands-butterflies
Helping your hands play your favorite songs on strings and keys easily
Your song
We create our own compositions. Rewriting states. We heal the heart. Sound free

Kalimba. Mbira. Nyanga

Melody of the soul at your fingertips

Kalimba, Mbira, Nyanga are the names of a traditional African instrument in the Shona (Bantu) language, which is included in the UNESCO list of intangible cultural heritage of humanity.

Together with the KalimbaFM team - some of the

best craftsmen in Russia - we develop new models

and approaches to sound

Two days in the forests
of Umbria
Just as there are two ways to learn to dance, there are also two ways to learn to play music. No, no, not like that, you need to start with something else and generally differently...
Echoes of participants
  • Nani Kogua
    It’s like a trance, I entered a superposition of my quantum self and chose the option where I know how to play, and I play... An incredible experience. It greatly raises self-esteem and ideas about one’s capabilities in general in any field. I want more! In general, it’s incredibly cool to know that you can extract sounds from everything in the world; I wanted to record my own music exclusively from objects. In terms of beatbox practice: it was the most fun period of time, I still remember and laugh, at the same time, I managed to do very quickly something that from the outside always looked super difficult. But still, in this part the main thing for me was fun, apparently the brain at first cannot understand how you can seriously make sounds instead of words 😂 I think you are a magician of creating atmosphere and mood and talents!
  • Oxana Di
    For me, this is the most amazing thing that happened to us there. I never went in this direction due to a complete lack of talent. It turned out to be important. In general, our entire spontaneous kitchen orchestra ultimately created all this magic. And then this light just poured out. Duduk in the tower is probably the most magical
  • Inna Vishneva
    Saying “liked it” is the same as remaining silent! I haven’t been so happy for a long time 😄 Sound production in the way you, Sergey, present it, involving people, for me personally was a mischievous game that adults quietly play while no one sees them, and you can completely loosen your belt and buttons! Youthful, genuine delight!
  • Dmitry Bezobrazov
    The laboratory session divided my interaction with musical instruments into “before” and “after”. Now we are happy to get to know and explore each other, even if we have not met before. And even if we met. And even if we are not alone in the room! A light and confident feeling settled inside, which did not happen during 7 years of music school and 12 years of independent guitar playing. Thank you for this! Glad you're going into space! I especially recommend meeting with Seryozha if you are afraid to take up an instrument, you want to play, but “others can, but I can’t,” etc. He will break the spell 🧙‍♂️🎸
  • Anna Vereschagina
    I haven't picked up a musical instrument for over 20 years. Although at that time I was quite good at repeating and playing notes, I never tried to improvise and compose something of my own. It seemed that I couldn’t come up with anything worthy. But several decades later, Seryozha inspired me to remember my dreams and that feeling of admiration for the improvisational ease of different performers in order to believe that playing music and sounding is natural and accessible to everyone. Thank you!
  • Dmitry Sidorkin
    I got high on the seamlessness. It was just like, “Mmm, what should I do with myself? Let’s make sounds with our mouths?” For some time I doubted whether this was a master class or not. So naturally they flowed into it. The warm atmosphere removed the barrier of “looking stupid”) At some point, I completely lost myself in moving my lips) While beatboxing, I downloaded three applications on my phone to record my samples in order to do something with them. I wanted a small bubble where I could create something and periodically ask for help from a master) to consolidate the skill so that I would have enough confidence to do it on my own.
  • Maria Markusheva
    I walked into the studio and my gaze fell on an old accordion, given to Sergei by his grandfather in first grade. Fascinated, I went to get acquainted with this slightly shabby one. but still a brilliant German. We immediately liked each other and my fingers first ran over his white keys, after which they touched the black ones... and the music began to flow. Simple, just a few notes, but melodic and light. This was my first contact with the accordion, but I felt that I was beginning to find a common language with the instruments as if I were taming wild animals. However, after a couple of minutes I had to admit that blowing bellows is not only an exciting activity, but also a very energy-intensive one. I now understand that my mother was very cool. Some of them picked up the accordion and played it so enthusiastically and cheerfully. How much effort she put into cheering up our family!
CONTACT

TURKEY, Istanbul


KOSUYOLU: Cenap Şahabettin Sk. No:98


FATIH: Sarıdemir, Ragıp Gümüşpala Cd. No:29


BUYUKADA: Maden Mahallesi, Nevruz Sk. No:2


+90 535 797 2679

office@sergeydolgov.ru